Joaquin Ellefson Manchester has two loves: Composing music and fighting. He has claimed that the most invigorating fights are what drive his inspiration. Several of his compositions are named after his foes, most notably, "Overture of Punching Joseph Bonni's Face In" and "A Tireless Flute Wrong-End-First Up Donovan Patton's Asshole". It is rumored that when Manchester was beaten viciously during an enthralling row after refusing to pay for his rendered bordello services, he hurriedly scrawled upon the filthy floor a draft of his most famous composition, "Concerto for Flutes and Fists".
Since then, Manchester has been searching for his next big fight, one that will take him to new heights of exhilaration and creativity, driving a heart-wrenching soundtrack to a theatere interpretation of Elliot Williamsmithenheimerson-Thorpe's classic treatise, "A Matter of Life and Deaf", an investigation into the life of a man with no ears.
To prepare for his battles, Manchester rode a horse bareback to the top of Mount Dildentopple, and then let the horse kick him in the chest all the way back down. This took approximately six and a half days, after which Manchester wrote fifteen new concertos. Critical praise has been offered, many suggesting a bright new direction for the haggard composer.
This brings him to today, where Manchester has arranged for a duel with composer and jetpack enthusiast, Titus Quinten Trappendorfelberg. An assortment of ruffians patiently await for Manchester's arrival, meanwhile Trappendorfelberg throws pink chinese starts from his front porch. Whether Manchester battles his way through or finds a way to walk through the ground, is he prepared to take on his most formidable opponent yet?
 <<< PREVIOUS: #43: Beeps and Blips  NEXT: #45: Boss >>>
|
